February 24, 2017

A Serendipitous Find

We spend a lot of our time looking for Quaker quilts that we can research and write about.  Several months ago, one such quilt "fell into our laps" when one of our blog viewers left a message on a post about Quaker causes, woman's rights, and suffrage.  Our post lamented that there seemed to be few suffragette quilts, partially because quilt making was considered a domestic activity rather than one that represented the growing movement for woman's rights and the vote.  The note posted by Judy Kerr said in reference to the quilt we described: "I have one in my closet."  This was followed by her phone number.

Lynda called her immediately and found that Judy lived in Ashland, Oregon.  She is a direct descendant of the Coates family of Pennsylvania - a noted Quaker family based in and near Philadelphia whose male members were merchants, in the shipping business, and farmers.  The "quilt in her closet" displays fifty-three names of family members and friends, and forty-five inscriptions, one of which is illegible.

The Esther Coates Quilt.  Photograph courtesy of Judy Kerr.

The quilt measures 114 X 116 1/2 inches and is comprised of eighty-one alternating pieced and single fabric blocks that measure approximately 12 1/2 inches square.  The pattern of the pieced blocks has various names cited in Barbara Brackman's Encyclopedia of Pieced Quilt Patterns including Grandmother's Pride, Nine Patch Checkerboard, Old Mail, The Queen's Favorite, and Checkerboard.  (Brackman, 303.)  The checkerboard blocks are comprised of small triangles (half squares cut on the diagonal) and 2 3/4 inch whole squares.  The names and inscriptions are found on the center square of the checkerboard blocks.

Block bearing an inscription of part of a poem titled "Remember Me" by Quaker
poetess Elizabeth Margaret Chandler (1807-1834) along with the name
Margaret Coates.  Photograph courtesy of Judy Kerr.
 
The quilt was made by family and friends for Esther Coates, daughter of Samuel and Margaret Cherrington Coates of Chester County, Pennsylvania, and active members of the Bradford Monthly Meeting.  The quilt was a gift for Esther in celebration of her marriage, in 1844, to Abram G. Wileman of Stark County, Ohio.
 
During conversations about this quilt with Judy, Lynda expressed interest in seeing it in-person and transcribing the names and inscriptions displayed on it.  It turned out that Judy had a friend who was coming to California to visit friends in a town close to where Lynda lives.  Judy arranged for her friend to bring the quilt with her and Lynda was able to pick it up and bring it home for study.  With Judy's permission, Lynda has had the quilt in her possession for close to three months during which she has been able to decipher all but one of the names on the quilt as well as most of the inscriptions.
This work has revealed the quilt to be an important social and historic record.
 
There is a great deal to be written about Esther, her family members, her friends in Chester and Lancaster County, Pennsylvania, and the inscriptions recorded on her quilt.  This will be forthcoming in articles, future blog posts, and perhaps eventually a book.  For now we simply want you to know about this historic treasure that represents a time and community activities that helped shape the history of this country.
 
Sources:
 
Brackman, Barbara.  Encyclopedia of Pieced Quilt Patterns.  Paducah, KY: American Quilters Society, 1984.
 
 
(c) Lynda Salter Chenoweth and Mary Holton Robare, 2017





January 20, 2017

Will the Real Mary Ann Dewees Please Stand Up?

In one of the posts about Joy Swartz's red and white "circle" quilt, we mentioned the difficulty of precisely identifying a person named on a quilt when there are several people found to have the same name who lived in the same geographical region during a time period in which the quilt could have been made. A prior post about an inscriber named Jane Biddle posed this problem and we ended up writing about three of the Jane Biddles who may have been the one referred to on the quilt.  Well, this situation has arisen again.

The Joy Schwartz red and white "circle" quilt.  Photograph courtesy of
Barbara Brackman.
 
 
One of the inscriptions on Joy's quilt is "Mary A. Dewees, Philadelphia Pa."  We've found four most likely, possible candidates for this Mary A. Dewees.
 
Block inscribed with the name "Mary A. Dewees" and the city of "Philadelphia, Pa."
Photograph by Lynda Salter Chenoweth.
 
The first candidate was born on January 11, 1812 in Chester County, Pennsylvania, to William and Deborah Hoopes Dewees.  The birth of this Mary Dewees was recorded by the Bradford Monthly Meeting of the Religious Society of Friends in Chester County.  No records of her whereabouts could be found until she married a man named Robert Hall on November 23, 1848 at the Chesterfield Monthly Meeting in Athens, Ohio.  She later married a man named Robert Miller in Columbiana County, Ohio, on October 25, 1867.  She was fifty-five years old at the time.  Quaker records show that she attended the Sandy Springs Monthly Meeting in Hanover Township, Columbiana County, Ohio, and the census of 1880 refers to her as Mary H. Miller living with her husband Robert in Salem, Ohio. Mary died at age eighty-five on August 13, 1897 in Berks County, Pennsylvania according to a record of the Exeter Monthly Meeting.  So far as could be determined, Mary never lived in Philadelphia, the city name inscribed on her block. 
 
The only two dates on Joy's quilt are 1848 and 1867.  Mary was living in Ohio in 1848, the year she married Robert Hall, and was still in Ohio in 1867 when she married Robert Miller.  We don't know when all the blocks of Joy's quilt were made because it seems to have been added to generationally.  It appears that this Mary A. Dewees lived most of her life in Ohio after leaving Pennsylvania (date unknown). This does not exclude her from having inscribed the block that bears her name sometime before she moved to Ohio and married in 1848.  Without evidence that she had once lived in Philadelphia, however, the case for her having inscribed the block is greatly weakened.
 
A second candidate for the "real" Mary A. Dewees was born December 11, 1818 in Philadelphia to Dr. William Potts Dewees and his wife Mary Lorain Dewees.  This Mary's father was a prominent physician on the faculty of the University of Pennsylvania, holding the position of Professor of Obstetrics and Chair of Obstetrics from 1834 to 1841.
 
Entrance to one of the quads at the University of Pennsylvania.  Source of image:
Wikimedia Commons.
 
Dr. William Potts Dewees circa 1833 by artist John Neagle (1799-1865).   This portrait hangs in
the University of Pennsylvania School of Medicine.  Source of image: Wikimedia Commons.
 
Dr. Dewees published three important books during the 1820s, each of which went to ten editions.  These were System of Midwifery (1824), Treatise on the Physical and Medical Treatment of Children (1825), and Treatise on the Diseases of Females (1826).  He is described in American Medical Biographies as a "[. . .] Philadelphian obstetrician [that] was so famous that no parturient woman of the time considered herself safe in other hands."  Dr. Dewees., born in 1768, passed away in 1841.
 
Dr. Dewees and his wife, Mary, had nine children between 1803 and 1823, their daughter Mary Ann Dewees being the next to the last.  She became the second wife of Charles William Ogden from New York City in 1843 and had five children by him.  Their only son, Dewees Ogden, fought in the Civil War and died in July of 1863 from wounds inflicted at Gettysburg.
 
It appears that Mary Ann and Charles lived in New York City some or all of the time after they were married.  Charles died in Manhattan in 1859.  Mary died in Brooklyn on August 29, 1861 and is buried at Green Wood Cemetery in Brooklyn.
 
Hezekiah Pierrepont Memorial in Green Wood Cemetery, Brooklyn.
Source of image: Wikimedia Commons.
 
If Mary Ann Dewees Ogden is the Mary whose name appears on Joy's quilt, her block would have been inscribed prior to her marriage in 1842 while she was still unmarried and living in Philadelphia.  It is possible that this Mary is the "real" Mary but, not yet knowing what the people named on the quilt had in common, it is not possible to say for sure.  Most of the people on the quilt seem to be German Baptists and Lutherans.  Mary was Roman Catholic so religion is unlikely to be the common thread.  Also, this Mary was from a wealthy, prominent Philadelphia family while the others identified so far were from middle class families and most lived outside of Philadelphia.
 
This brings us to the third and fourth candidates for Mary A. Dewees.  The third was the daughter of John and Mary Boyer Dewees, born in Philadelphia in 1822.  In 1842, this Mary's brother, Jacob Dilworth Dewees, married another Mary Dewees (parents unknown) born in Pennsylvania in 1813. 
Census records indicate that Jacob was a farmer and that the couple lived in Philadelphia.  They had three children: Sarah H. in 1847; Franklin in 1850; and, Mary Annie in 1853.  Both Jacob and Mary lived into old age and were listed in the 1900 U.S. Census as being eighty-six and eighty-seven respectively.  Both are buried at Cedar Hill Cemetery in Philadelphia.
 
The Cedar Hill Cemetery, Philadelphia.  Source of image:
 
The reason that Jacob's wife Mary might be the "Mary A. Dewees" inscribed on Joy's quilt is her relationship to Jacob's sister.  However, Jacob's sister (her sister-in-law) is an even stronger  candidate because she points to other relationships between people named on the quilt.
 
One ancestry.com record indicates that Jacob's sister, Mary A. Dewees, married a man named Henry Day.  (No record of this marriage or its date has yet been found.)  There are two members of the Day family named on the quilt: Margaret Day and Lititia Day.  Both of these women are the daughters of Samuel W. Day and his wife Rachel Haas.  They lived in Norristown, Pennsylvania, about six miles from Philadelphia.  In addition, the central block of Joy's quilt is inscribed with a drawing and a verse dedicated to Eliza Faringer.  This block is inscribed by Augusta Haas.
 
Finding potential familial connections on the quilt between Mary A. Dewees Day, the daughters of Samuel W. Day, Rachel Haas Day, and Augusta Haas makes the Mary A. Dewees who married Henry Day a strong candidate to be the "real" Mary A. Dewees.  More research into these families and their possible connections is needed to come to a conclusion, one way or the other, but it is an important start and illustrates the amount of family research needed and the process of elimination required to identify people whose names are inscribed on nineteenth century quilts.
 
Selected Sources:
 
ancestry.com census, Public Member Tree, Quaker Meeting, North American Family Histories, and other ancestry data bases.
 
Busey, John W. and Travis W. Busey.  Confederate Casualties at Gettysburg, A Comprehensive Record, 4 Vols.  Jefferson, NC: Mac Farland & Co., 2017.
 
Kelly, Howard A. and Walter L. Burrage, eds.  "Dewees, William Potts" in American Medical Biographies. Baltimore: The Norman, Remington Company, 1920.
 
The Dewees Family, Genealogical Data, Biographical Facts and Historical Information Collected by Mrs. Philip E. LaMunyan.  E. Roberts, ed.  Norristown, PA: William M Roberts, 1905.
 
 
(c) Lynda Salter Chenoweth and Mary Holton Robare, 2017.
 

 


December 31, 2016

"Boots on the Ground" Reprised

We have recently been asked what some of the most important factors are in revealing and telling the stories that are represented by the names and inscriptions on inscribed quilts.  Much of the work is done on the computer using genealogical web sites, family histories, public record data, and information provided by others who have researched and written about the families in question.  However, the most useful and informative way to discover the lives of people whose names are inscribed on quilts is by walking the ground they walked, visiting the homes they lived in (if they still exist), seeing the communities in which they lived and died - all of these activities bring into better focus their stories. 

As researchers, one on the west coast and the other in Virginia, we are usually far away from the towns and communities represented by the people named on Quaker quilts.  This is especially true in Lynda's case who found the concept of "boots on the ground" particularly useful in researching the people and places named on Philena Cooper Hambleton's quilt.

What follows is one of our posts from 2012 that describes the benefits of finding others who are willing to help you discover the intimacy of places you are unable to visit and to shed light on the lives you are researching.

******************

"When asked what I think are the most valuable research tools I've come across, I always answer Tina Frantz and Pat Rowell.  These two remarkable women contributed more to my research into Philena Cooper Hambleton's family and life than any other sources available to me.  I highly recommend to any of you who are trying to research a signature quilt, whether Quaker or not, to seek the help of willing "boots on the ground" - people who live in the geographical areas of your quilt's inscribers.  They can do leg work you cannot do from your home, and discover information you will never find in books or on the Internet.

When you find someone willing to assist you, be aware that research usually involves costs.  Always ask about charges or fees before formally requesting research work of others.  It is a fair expectation that you will have to pay someone for time spent searching files, copying documents, and mailing.  This is just good research etiquette. Sometimes all that is asked is a donation to an organization in whatever amount you wish to pay.  And sometimes fees are waived altogether, particularly if  there is a potential for a scholarly publication or presentation that will bring positive publicity to the research provider.

I became acquainted with Tina Frantz in 2002 when I first ventured to Columbiana County, Ohio.  She was recommended to me by the owners of the B&B where my husband and I stayed just outside of Lisbon.  On our first trip, Tina referred me by phone to local historical societies and libraries where I might find records I was seeking.  In 2004, when we returned to Lisbon, Tina spent three days with us in her SUV negotiating flood-ravaged roads to take us to cemeteries, old houses, open land, and archives pertinent to the lives of the people named on Philena's quilt.

Lynda and Tina Frantz "showing" Philena's quilt to past members of the Dutton
family, including Philena's sister-in-law Rachel Hambleton Dutton.  Dutton Family
Cemetery, McCann Road, Hanover Township, Columbiana County, Ohio, 2004.
Photograph by Theodore H. Chenoweth.
 
Tina Frantz and Theodore H. Chenoweth using chalk to highlight the names on a
tombstone where the children of William and Hannah King Ward are buried.
King Family Cemetery, McCann Road, Butler Township, Columbiana County, Ohio, 2004.
Photograph by Lynda Salter Chenoweth.
 
Tina Frantz and Lynda examining the names on tombstones rolled by vandals down
the hill from the Sandy Spring Meeting cemetery outside of Hanoverton, Ohio, 2004.
Photograph by Theodore H. Chenoweth.
 
Tina not only knows the "ground" of Columbiana County but has long worked with the Ohio Genealogical Society, local historical societies, and county offices to develop historical information about the early residents of this part of Ohio.  Through her "day job" working with the county court in Lisbon, she has access to 19th century legal records.  These include wills, land purchases and transfers, cases heard before the Court of Common Pleas, probate records, suits, and other legal transactions that she has graciously searched for me outside of work hours.  Of particular interest to me have been the 19th century probate records related to the settlement of estates.  These provide an inventory of every item owned by the deceased and, when sold at the traditional "crying sale", an account of who bought each item and how much was paid for it.  I have urged Tina to co-author an article on probate records with me - titled something like "Probate Records are a Gas!!" - because these records give such insight into the personal lives of people and also show, through recorded purchases, relationships with neighbors and family members who bought items from the estate.  One day we just may do it.  [Although this has not happened as of 2017.]
 
I found Pat Rowell by chance one day while trying to follow up on some vague information about where most of the Hambletons were buried.  Pat volunteers at the Poweshiek County Historical and Genealogical Society in Montezuma, Iowa, performing research for members of the public seeking information about their families or just interested in the history of the area.  Pat volunteered to visit local Quaker cemeteries for me to see if she could find the graves of Philena, her husband Osborn, and other immediate members of the Hambleton family. Find them she did at the Friends Cemetery just outside of Lynnville, Iowa, in Jasper County!
 
Pat Rowell standing next to one of several Hambleton tombstones located in
the Friends Cemetery, Lynnville, Jasper County, Iowa.  Photograph courtesy of
Pat Rowell.
 
Poweshiek County Historical and Genealogical Society in Montezuma, Iowa.
Photography by Lynda Salter Chenoweth.
 
Pat them volunteered to comb through the files of the Poweshiek County Historical and Genealogical Society looking for items related to the Hambletons and their in-laws, the Cravers.  She found Osborn Hambleton;s probate records, several articles in various publication about Hambleton family members as Iowa pioneers, old land maps with properties identified by owner names, obituaries about Hambleton family members, an article about the anti-slavery society founded by Osborn and Philena at Forest Home, and a wealth of other information.  We were able to find the house that Philena and Osborn built in 1855 using the maps, and all of these sources helped to bring the Hambletons' lives in Iowa into biographical focus.  My greatest regret is that I was unable to meet Pat in-person when we traveled to Iowa after visiting Ohio in 2004.
 
Lynda in front of the stone marking the graves of Osborn, Philena, and Lorilla Hambleton.
Friends Cemetery, Lynnville, Jasper County, Iowa, 2004.  Photograph by 
Theodore H. Chenoweth.
 
So, how do you find wonderful people like Tina and Pat to help you with your research?  The easiest way is to contact historical societies in the cities, towns, or counties where you know quilt inscribers lived.  This can be done by searching the Internet for historical societies in a particular area (i.e., Ithaca Historical Society, Columbiana County Historical Society, Chester County Historical Society).  You usually don't have to know the society's exact name to find them.  If a relevant society does not have its own web site or email address, you will usually find at least a street address and telephone number that you can use to contact it.  Then call or write asking if they have any volunteers who are available to assist you find local records or visit local cemeteries.  You will be surprised at how willing volunteers are to help you, especially those associated with small, rural societies and libraries."
 
Lynda Salter Chenoweth
 
***************
Meantime, two "new" old Quaker quilts have come into our lives in the past couple of months.  Lynda is feverishly researching one from Chester County, Pennsylvania, that accompanied a newly married woman to Ohio, and is about to see and photograph another whose maker originated in Virginia and ultimately moved to Ohio. You will be seeing and hearing about these in the months to come.  Both are historically interesting and significant.
 
We wish you all a Happy New Year.
 
 

 
 

 
 


December 15, 2016

Quakers, Quilts, and Domestic Cookery

Historically, Friends did not mark holidays such as Christmas as big events since all days were regarded as equally holy.  However, opportunities to gather for Meetings or social occasions were often cause for special, caring preparation.

Visiting Friends stayed in homes (and still do) when gathering for the Quarterly and Yearly meetings which lasted for days.  One member of Hopewell Monthly Meeting in Frederick County, Virginia, charmingly described her childhood impressions of Quarterly Meetings that occurred circa 1900.

"There was a cyclone of house cleaning, silver polishing and arraying the best china.  Beds were made up.  The children often were banished to the attic or slept on pallets on the floor. Cakes were baked, cookies, doughnuts and choice Virginia hams were cooked.  Kids loved it!  Mothers sank back into utter exhaustion afterward."  (Memories of Hopewell . . .)

Interior of a home inhabited by Hopewell Friends, Frederick County, Virginia,
c, 1900.  Courtesy of Ellen Berry.
 
As we know from letters and diaries, one of the most popular home cookbooks used by historical Friends was self-published in 1845 by Elizabeth Ellicott Lea (1793-1858).  She was born into a prominent Quaker Maryland family.  Interestingly, some of her recipes specify a Maryland affiliation, like her "Maryland Corn Cakes", while others, such as "Virginia Pone," and "A Virginia Hoe Cake" give a nod to a state where she had close acquaintances.  

Domestic Cookery, Useful Receipts, and Hints to Young Housekeepers eventually
went through nineteen printings in twenty-five years.  Photograph of a copy owned by
Mary Holton Robare.
 
Elizabeth Ellicott Lea.  Image scanned from the frontispiece of A Quaker Woman's Cookbook:
The Domestic Cookery of Elizabeth Ellicott Lea by William Woys Weaver.
 
There are several historical Quaker quilts associated with members of the cookbook author's family.  The Pidgeon Family Quilt (see our posts of July 14, 2012, November 11, 2012, and December 1, 2015) contains several blocks inscribed with initials that, most likely, represent Beulah Iddings Lea and her sister-in-law Deb Lea.
 
 
 
The Pidgeon Family Quilt, c. 1850, details.  Collection of the Colonial Williamsburg
Foundation.  Photographs by Mary Holton Robare.
 
"Deb Lea, 1849" is inscribed in ink on a block containing a chintz-work wreath of brown, blue, olive, and mustard-colored chintz.  On another identical wreath placed in the overall pattern of the quilt in symmetrical relation to the first are the initials "B.I.L."  Both quilt blocks contain a quilted oak leaf centered on the inscribed initials.  The quilter seemed to be emphasizing an association between the two blocks.
 
After extensive cross-referencing of census records, wedding certificates, Meeting records, and social histories a close relationship was revealed between individuals who were, most likely represented by the inscriptions.  "B.I.L.," Beulah Iddings (1824-1906) and "Deb Lea,"  Deborah Ann Pierce (1816-1894), were daughters-in-law of the cookbook author as they married her sons, Thomas and Edward Lea.  They were also contemporaries of the maker of The Pidgeon Family Quilt, Sarah Chandlee Pidgeon.
 
Another chintz-work block on The Pidgeon Family Quilt bears the embroidered initials, "R.R."  That alone would not be enough to suggest an identity, but it is not an unlikely deduction that the initials represent one of the quilt-maker's daughters.  The quilt's maker, Sarah Chandlee Pidgeon, who grew up in Lea's Maryland community, named her third daughter Rebecca Russell Pidgeon, very possibly after Lea's nurse.
 
The Pidgeon Family Quilt, c. 1850, detail.  Collection of the Colonial Williamsburg
Foundation.  Photograph by Mary Holton Robare.
 
Rebecca Russell (1786-1888) was a Quaker nurse who came from Pennsylvania to care for Elizabeth Ellicott Lea's ill husband.  When he died shortly thereafter, she stayed on with the family -- for another fifty-nine years!  It is known from William Woys Weaver's revised edition of Domestic Cookery that Lea tested and developed her recipes with the help of her husband's former nurse.  Presumably, the recipes passed all taste trials for safety since Russell lived to over the age of one hundred years.
 
As William Woys Weaver explained in the "Introduction" of his Revised Edition of Lea's book, ". . . the bedridden authoress was obliged to shout down recipes and corrections to Rebecca Russell or the family cook, whose duty it was to execute them properly."
 
Weaver discovered that before being self-published in 1845, Domestic Cookery was originally produced as just two manuscripts: one for the author, and one for her daughter, Mary Lea Stabler whose initials, we believe, were also embroidered on a block of The Pidgeon Family Quilt.
 
The Pidgeon Family Quilt, c. 1850, detail.  Collection of the Colonial Williamsburg
Foundation.  Photograph by Mary Holton Robare.
 
Yet another quilt (among others) is connected to Elizabeth Ellicott Lea, attributed to her sister.  The "Martha Ellicott Crazy Quilt," dated 1838, is considered the earliest form of a crazy quilt known to exist.  It is in the collection of the Maryland Historical Society and you can see it on their web site at http://www.mdhs.org/digitalimage/martha-ellicott-crazy-quilt.
 
We could share one of Elizabeth Ellicott Lea's recipes for this holiday season, such as her "White Cake."  It begins with instructions to: "Beat the whites of twenty eggs, wash the salt out of a pound of butter," and ends with "prepare an icing , flavored with rose water, put it on the top and sides."  Instead, consider ordering a copy of Weaver's Revised Edition of Lea's cookbook to enjoy learning much more.
 
 
We wish you all health, happiness, peace, and prosperity
through the holidays and in the coming year.
 
Notes and Sources:
 
Although difficult to read, the name of "Deb Lea" decipherable when compared to her signature on the Wedding Certificate of Sarah Chandlee to Samuel Pidgeon.  Copy held by Mary Holton Robare.
 
Davis, Nancy.  "The Kaleidoscope Quilt".  In Eyewinkers, Tumbleturds and Candlebugs: The Art of Elizabeth Talford Scott.  Maryland Institute, College of Art, January 1998.
 
Friends General Conference at http://www.fgcquaker.org/explore/faqs-about-quakers.  Accessed 12/13/2016.
 
Lea, Elizabeth Ellicott.  Domestic Cookery, 1845.
 
Memories of Hopewell, Published in Celebration of the 250th Anniversary of Hopewell Friends Meeting 1734-1984.  Frederick County, Virginia.  Hopewell Monthly Meeting, 1984, no. 6.  Copy held at the Handley Library Archives, Winchester, Virginia.
 
 
Robare, Mary Holton.  "Quaker Networks Revealed in Quilts."  In Proceedings of the Textile History Forum.  Cherry Valley, NY: Textile History Forum, 2007.
 
Weaver, William Woys.  A Quaker Woman's Cookbook: The Domestic Cookery  of Elizabeth Ellicott Lea.  Mechanicsburg, PA: Stackpole Books, 2004. 
 
(c) Lynda Salter Chenoweth and Mary Holton Robare
 


 
 
 

 

 

 

December 1, 2016

"I bequeath my gold watch to my niece Tacie Cleaver, also one blanket and a feather bed."

This bequest was one of many made by Tacy J. Kenderdine in her will signed on 2nd day July 1896.  Two years later, on Wednesday March 16, 1898, Tacy passed away and was buried at the Horsham Friends Cemetery in Montgomery County, Pennsylvania.

On March 24, 1898 the following appeared in the Ambler Gazette.  "Tacy Kenderdine, eldest daughter of the late Chalkley Kenderdine, died very suddenly on Wednesday of last week at the home of her brother-in-law Thomas Stackhouse, Horshamville.  Mrs. Kenderdine had been enjoying unusually good health all winter.  On Monday of last week she attended the funeral of Martha Morgan at Quakertown, Bucks County, and on the previous Monday was at the funeral of Esther Saw, at Friends meeting house, Upper Dublin.  After returning home from Quakertown she remarked to her sister, Mrs. Stackhouse, that she had been at funerals for two Mondays in succession and wondered whose funeral would be on Next Monday, facetiously adding that probably it would be her own.  No one of the family thought seriously of the remark.  On Wednesday evening, shortly after retiring for the night, with but 15 minutes warning, the summons came.  Mrs. Kenderdine was in her 70th year.  Interment was made in Horsham meeting grounds on Monday the 21st inst."

Horsham Friends Cemetery.  Photograph posted on Find A Grave web site by Shriver.
 
The niece to whom Tacy willed her gold watch, a blanket, and a feather bed was the daughter of Tacy's sister Sarah Jane Kenderdine Cleaver.  The names of both Tacy and Sarah Jane appear on the red and white "circle quilt" belonging to Joy Swartz.
 
Block displaying the name of Tacy Kenderdine.  Photograph by Lynda Salter Chenoweth.
 
The Kenderdine family immigrated to the New World from England during the 17th century, settling in what became Horsham Township in Montgomery County near Philadelphia.  Richard Kenderdine, one of Tacy's and Sarah Jane's early colonial ancestors, obtained 250 acres in 1713 from Samuel Carpenter who had bought the land directly from William Penn.  Richard's son Joseph, a millwright, inherited this property after his father's death in 1733 and is assumed to be the builder of a mill on the property.  This mill, which exists today as the Kenderdine Mill Complex, was erected during 1733 and 1734.
 
Kenderdine Mill with its third floor added in the 19th century.  Source of photograph:
Wikimedia Commons.  Author: Carla Loughlin.  The mill remained operational using
its original water power into the 20th century.
 
A residence belonging to Richard and then to Joseph Kenderdine was constructed on the property prior to the building of the mill.  Unfortunately, this building was demolished in 2012 and no longer exists.
 
 
The Joseph Kenderdine house, demolished in 2012.  Source of photograph:
Wikimedia Commons.  Author: Carla Loughlin.
 
The Kenderdine family played a major role in the development of Horsham Township and the small town of Horsham (previously known as Babylon and then Horsham Meeting).  According to a history of Horsham, the town was located in the center of Horsham Township and originally consisted of "three log cabins, a school, a store, wheelwright shop, blacksmith shop, and a stone farmhouse.  Members of the Kenderdine family made up the largest part of the population."
 
In 1719, fifty acres of land were conveyed to John Cadwallader, Thomas Iredell, Evan Lloyd, and Richard Kenderdine by Hanna Carpenter, the widow of Samuel Carpenter.  The purpose of the conveyance was to build a Quaker meeting house, a school, and a burying ground on the property.  Construction of the meeting house began in 1720 and was completed in 1724.  By 1803, membership in the Friends Meeting at Horsham had grown so much that this original meeting house was torn down and another, larger one was constructed.
 
 
Horsham Friends Meeting House.  Source of photograph:  Wikimedia Commons.
 
Horsham Friends Meeting House carriage barn.  Source of photograph:
Wikimedia Commons.
 
The Kenderdines of Horsham, like many other Quakers in the 18th and 19th centuries, abhorred slavery and supported the abolitionist cause.  An obituary for Joseph R. Kenderdine  that appeared in the Ambler Gazette on December 24, 1903, described an incident that involved the father of the deceased, also a Joseph, in 1822.  "It was from home, near what is now known as Horsham Square, then Babylon, that a kidnapping affair occurred in 1822, where a New Jersey slave was a central figure, involving a rescue by the neighbors, among whom were several of the Kenderdine family, who were afterwards brought up before the United States courts and heavily fined."
 
Tacy and Sarah Jane Kenderdine were from a large and noteworthy family but, unfortunately, the details of their lives are difficult to find.  They were the daughters of Chalkley and Ann Jarrett Kenderdine, the children of whom included Tacy (1829-1898), Sarah Jane ((1832-1912), Letitia (born 1838), Elizabeth J. (1840-1904), and John J. who died in infancy.  Sarah Jane went on to marry John Cleaver, Letitia married Edward Ambler, and Elizabeth J. married Thomas Stackhouse.  There is no evidence that Tacy ever married.
 
 We are still trying to figure out for whom Joy's quilt was made and to understand the relationships of those named on it.  Most of the people so far identified were German Baptists (Church of the Brethren) and not members of the Religious Society of Friends.  Whatever their relationships one to another, their connections seem to extend beyond religious and even familial ties.  Interestingly, the identities of those whose names are inscribed on the quilt seem to span a few generations.  One possible explanation is that Joy's quilt is a multi-generational quilt.  Still working on this.  Thanks, Joy, for the challenge!
 
Sources:
 
Ancestry. com Quaker meeting records, census data, and Public Member Trees.
 
"History of Horsham Monthly Meeting" at http://horshammeeting.org/history.html.  Accessed 10/15/2016.
 
Kenderdine_Mill_Complex.html.  (Link is too long to fit on one line.)  Accessed 10/15/2016.
 
Montgomery County Pennsylvania Genealogy.  Obituaries, Death Notices, and Funeral Notices at http://www.montgomery.pa-roots.com/Obituaries/ObitsKa-Ke.html.  Accessed 11/27/2016.
 
Pennsylvania Wills and Probate Records, 1683-1993, Montgomery Wills, Vol. 25-26,  1897-1900.
 
(c) Lynda Salter Chenoweth and Mary Holton Robare, 2016.
 
 

 


 
 
 
 
 
 

November 15, 2016

Researching Joy's Quilt

We introduced you to Joy Swartz and her red and white quilt in our last post.  Lynda is still researching the names that appear on the quilt and trying to find out enough about the people named to discover their stories.  Meanwhile, we would like to share with you some of the challenges of this kind of research.

Block inscribed with a decorative branch and the name of Susan Hoydsicke (?).  All
photographs by Lynda Salter Chenoweth unless cited otherwise.
 
Often, the first challenge one discovers is badly faded or illegible writing.  Without being able to transcribe the names on an inscribed quilt, the kind of information one can discover is greatly reduced.  Joy's quilt has, for the most part, clearly written or stamped names and, since the quilt has never been used or washed, almost all of the names are easy to read.  Where this isn't the case, it is mainly due to ink smudges or to migration which renders part of the name unreadable.  An interesting aspect (still needing research) of some of the blocks on Joy's quilt is the application of some sort of substance (perhaps bee's wax?) over the names to protect them from deterioration and fading. [Note:  One reader has suggested that the substance may have been placed on the fabric to provide an easier writing surface and is, in fact, under the signature.]  If any of you out there are familiar with this practice, please comment on this post and tell us what you know!
 
Block with a substance applied over the inked name to protect it.  This photograph
courtesy of Susan W. Greene.
 
A second challenge pertains to census records.  Census takers in the nineteenth century moved from house to house along a street or rural road, knocking on doors and asking the inhabitants to tell them who lived in the residence.  The head of household, usually a man, was recorded first by the census taker who wrote down what he heard.  It is common to find the same last name of a family spelled three or four different ways over census years, depending on how the census taker "heard" it and how he chose to spell what he heard.  For example, while doing the research for Lynda's book Philena's Friendship Quilt: A Quaker Farewell to Ohio, Lynda found members of the Hambleton family listed in census records as Hamilton, Hammelton and Hamildon.  Census record searches, as well as other Internet searches, are done by name and, if you are not finding people, you have to try different possible spellings of the last name and see what pops up.  In the case of Joy's quilt, Lynda has found in census records over time three different spellings of the name Faringer which appears seven times on the quilt.  These spellings are Ferringer, Fehringer, and Farringer.
 
Stamped block bearing the name Eliza H. Faringer.
 
A third challenge to identifying the people named on inscribed quilts is the nineteenth century tradition of naming members of each generation after a prior one.  This is especially true in the case of Quaker quilts.  Also, people tended to marry people from their communities and their distant family members (such as cousins) so last names were also passed on along with given names.  Figuring out which of many Eliza Faringers, for example, is the one named on Joy's quilt requires the knowledge of critical dates that separate generations.  One of the blocks that addresses an Eliza in verse displays a date of 1848.  The only other date inscribed on the quilt is 1857.
 
A date provided as part of an inscription can give an indication of the time frame in which a person may have lived. This can be misleading, however, because members of the Religious Society of Friends as well as other quilt makers often inscribed on their quilts the names of beloved family members who had passed away, along with the year of their death.  One example of this was a block inscribed "Whitson Cooper" with the date 1835 in Philena's quilt.  Whitson was her father who had died eighteen years before her quilt was made and dated in 1853.  
 
Block inscribed Susanna Douglas, Germantown, 1857.
 
A further challenge is determining the geographical locations of people named on a quilt when that location is not provided as part of the inscription.  Geographical location is the key to many Internet data bases that may provide information about the surroundings and history of the places where they lived, as well as their participation in civic, political, religious and other community activities.  If only a few of the quilt blocks indicate locations, these have to serve as the clues followed to find the geographical locations of others who are named on the quilt. Inscribed friendship quilts usually provide documentation of the people closest to the quilt recipient or quilt maker.  They will be generally from the same community, church group, or family groups.  In the case of Joy's quilt, Lynda is searching for information about the people in the areas of Philadelphia and nearby communities.  We'll see how well she does!
 
A block bearing the name of Martha Crout from Philadelphia.  Note the chain stitching that affixes
the red fabric to the block.
 
Again, our thanks to Joy Swartz for letting us explore what stories are to be told by her unique quilt.
 
(C)  Lynda Salter Chenoweth and Mary Holton Robare, 2016.
 


 
 


 

November 2, 2016

A Profusion of Red

One of the many pleasures of attending the American Quilt Study Group Seminar in Tempe last September was meeting fellow-attendees Joy Swartz from Prescott, Arizona, and Florence McConnell from Manteca, California.  Lynda had spoken with Florence several times while writing a blog post about some Quaker blocks Florence had purchased that were made by members of the Bunting family. (Refer to our post dated April 15, 2015.)  Knowing our interest in Quaker quilts, Florence introduced Lynda to Joy who had, in tow, a quilt made with red print fabrics her husband had recently purchased at auction. The quilt had been described as "Quaker" and Lynda agreed to take a look at it and give her opinion.

Photo of a portion of the quilt that appeared in an auction catalog.  Courtesy of
Barbara Brackman.
 
Joy brought the quilt to the hotel room Lynda was sharing with Alice Kinsler and the three of them spread it out on one of the beds where Lynda took photographs of all of the blocks and the inscriptions either hand-written or stamped on them.  It was obvious that the names would have to be researched to determine whether or not there were Quaker identities present and Lynda volunteered to do the research. 
 
Alice (left) and Joy with the quilt. Photograph by Lynda Salter Chenoweth.
 
The white border, backing, and red print binding of the quilt were added to a much earlier central portion that features blocks appliqued with quarter-circles in the four corners and a central circle (resembling a Cheerio) where names and other inscriptions are added.  Two of the quilt blocks display dates - one, with an accompanying verse, is dated 1848 and another is dated 1857.  The central portion of the quilt measures approximately 75 X 75 inches and is comprised of seven 10 1/2 inch blocks across and seven down.  The more modern border is eleven inches wide, is mitered at the corners, and bears a modern red print, 3/8 inches wide, as binding.  An interesting feature of the quilt is the use of a chain stitch to affix some of the block elements to the white fabric beneath them.  The rest are affixed using a hand-applique stitch.
 
Block with elements affixed using a chain stitch.
 
Block displaying both hand-applique and chain stitching.
 
Lynda is in the process of researching the names that appear on the quilt and has so far identified at least two families who were members of the Religious Society of Friends. When she has finished more of her research, she will provide additional posts that tell the stories the quilt reveals.
 
Meanwhile, Florence McConnell called to point out that two photos of the quilt's blocks appear in Susan W. Greene's remarkable book on textiles titled Wearable Prints, 1760-1860.  Hoping to learn more about the origins of the quilt, Lynda contacted Susan to see if she knew who had owned the quilt before Joy's husband bought it at auction.  It turned out that Susan, herself, was the prior owner but she too had bought it at auction with little information about provenance.  Her main interest was the large number of different, pristine red prints (thirty by her count) used in the quilt.  She incorporated photographs of two of the blocks in her book (page 340) as illustrations related to the topic "Colored Discharge on Turkey Red and Madder."
 
The discharge technique was developed in 1811 by Alsatian textile manufacturers Koechlin & Freres using chemical means to bleach out (or discharge) patterns from already colored cloth, especially indigo blue and Turkey reds.  The technique was refined over time by the use of pastes containing various colorants to produce red prints bearing multiple colors and elaborate patterns.  These prints, mainly imported from France and England in the early to mid-nineteenth century, were popular for making children's clothing and often found their way into album quilts and the red and green quilts favored by mid-Atlantic quilt makers, including Quakers.
 
Reproduction "Quaker" quilt made by Lynda Salter Chenoweth for Mary Holton Robare.
 
Whatever stories will be told by Joy's quilt when sufficient research is completed, the center of the quilt itself provides a small "encyclopedia" of red print fabrics (some of which may be Turkey reds) available at the time it was made.  That time may end up being a range, such as 1845-1860, unless Lynda's research results in pin-pointing people and events that narrow the time span.
 
Photograph courtesy of Susan W. Greene.
 
Our thanks to Joy Swartz for generously making the quilt available for study and presentation on our blog, and to Florence McConnell and Susan W. Greene for contributing information about the quilt and its fabrics.
 
Sources:
 
Greene, Susan W.  Wearable Prints, 1760-1860, History, Materials, and Mechanics.  Kent, OH: The Kent State University Press, 2014.
 
Storey, Joyce.  The Thames and Hudson Manual of Textile Printing.  New York: Thames and Hudson, Inc., 1987.
 
(c) Lynda Salter Chenoweth and Mary Holton Robare, 2016.